Saturday, October 30, 2010

Understand and explain how to do The Psychological Interpretations using Visual Arts.

According to my research - 

  1. The Psychological Interpretations is about mentality annotating.
  2. The Visual Art is about those creations we can look at, such as drawing or a painting.



Deeply using the elements of visual art to abstracting the elements of emotion in our psychological as an interpretation. Every emotion had their characteristic and presenting colors, in the other hand every mood or emotion also had they own undulate condition and feeling swing with a wavy motion. Besides, Visual Art had many elements to presenting their unique and personality also. To interpretate, well communication in between emotion elements and the elements of the visual art were important.


Friday, October 29, 2010

5 captions for Emotion

HAPPY - Strong infectanted power with Pure Heart
HAPPY was a very natural emotion to be shown when we were satisfied on something. HAPPY is a state of mind or feeling characterized by contentment, love, satisfaction, pleasure, or joy. A variety of biological, psychological, religious, and philosophical approaches have striven to define happiness and identify its sources.


BLUE - The same loss as the waves
BLUE is a swing mood that make us silent, moody and sad. We felt like s lost seems like been abandoned in the middle of sea.BLUE gloomy: filled with melancholy and despondency.




SAD - Everything spiraling in grey
When we Sad, everything in heart were messy and unstable. We does always give ourself negative support or opinion whenever we sad, so GREY. SAD is an emotion characterized by feelings of disadvantage, loss, and helplessness. When sad, people often become quiet, less energetic, and withdrawn.


SURPRISE - Colorful butterflies
SURPRISE make us shock but felt happy. Colorful butterflies mean a very messy mood with joy but no well mentally prepared. SURPRISE  is a brief emotional state that is the result of experiencing an unexpected relevant event. Surprise can have any valence; that is, it can be neutral, pleasant, or unpleasant. Accordingly, some would not categorize surprise in itself as an emotion.


FEAR - Magnifier of anxious
FEAR make us cant think nicely, speak clearly or even behave steadily. Fear enlarge our anxious or scariness like a magnifier. FEAR was be afraid or feel anxious or apprehensive about a possible or probable situation. They most properly will be uneasy or apprehensive about the thing they fear about.

Thursday, October 28, 2010

Understanding Objective [psychological interpretations]

What is Psychological?
–adjective
1.
of or pertaining to psychology.
2.
pertaining to the mind or to mental phenomena as thesubject matter of psychology.
3.
of, pertaining to, dealing with, or affecting the mind, esp. asa function of awareness, feeling, or motivation: psychologicalplay; psychological effect.




What is Interpretations?
–noun

1.
the act of interpreting; elucidation; explication: This writer's work demands interpretation.
2.
an explanation of the meaning of another's artistic or creative work; an elucidation: an interpretation of a poem.
3.
a conception of another's behavior: a charitable interpretation of his tactlessness.
4.
a way of interpreting.
5.
the rendering of a dramatic part, music, etc., so as to bring out the meaning, or to indicate one's particular conception of it.
6.
oral translation.

Wednesday, October 27, 2010

Understanding Objective [visual art]

Visual Art

What is visual art?

The visual arts are art forms that create works which are primarily visual in nature, such as ceramicsdrawingpaintingsculptureprintmaking, design, crafts, and often modern visual arts (photographyvideo, and filmmaking) and architecture. These definitions should not be taken too strictly as many artistic disciplines (performing artsconceptual arttextile arts) involve aspects of the visual arts as well as arts of other types. Also included within the visual arts[1] are the applied arts[2] such as industrial designgraphic designfashion designinterior design and decorative art.[3]



Elements Of VISUAL ART
A line can also express emotion and character based on how heavy or light, scratchy or smooth, angular or curvy it appears. Different types of line express different emotive qualities. Combining lines in a series can also convey the idea of texture.
Lines can also be used to create shadows in an drawn image. Hatching is a method of drawing shadows using a series of parallel lines positioned closely together. Cross-Hatching is another shading method in which intersecting lines are drawn in a close proximity to express a dark value.


The Art Element of Shape

A shape is a two-dimensional element with a definable border.
Geometric shapes have angles and straight lines and have an industrial feel. Organic shapes are curvy and free-form and have a more natural feel to them.

The Art Element of Value

Value refers to the lightness or darkness of an item within a work of art. The idea of value can be applied to colorful works of art and works of art that use only shades of black and white.
Most photo-realistic artworks will employ a variety of values within the work to express the idea of light and shadow moving across a form.
Some more expressive artworks will use value to convey emotion or direct the eye to a focal point. Darker values have more visual weight than lighter values and the eye will always be pulled to those areas with darker values.

The Art Element of Texture

The element of texture applies to how an object feels or appears to feel.
Texture can be either implied or actual. Implied texture expresses the idea of how a surface might feel. For example, a painting of a blanket might convey the idea that the blanket is soft. Actual texture, on the other hand, is texture that can actually be felt. For example, a ceramic bowl might feature a carved texture that could be felt when holding that bowl.

The Art Element of Form

Form refers to a three-dimensional object. As such, form is an art term that is only applied to those artworks that are three-dimensional, such as sculpture and pottery.
Forms, much like shapes, can be geometric or organic. Geometric forms have hard lines and edges. Organic forms are curvy and more free-form.

The Art Element of Color

Color refers to the visual perception of light being reflected from a surface of an artwork. In the most basic classification, colors can be divided into three groups: primary, secondary and tertiary.
Primary colors are those colors from which all other colors are created. Yellow, blue and red are primary colors.
Secondary colors are created when two primary colors are combined in equal parts. Green, purple and orange are secondary colors.
Tertiary colors are created by combining a primary color with a secondary color. Red-orange is an example of a tertiary color created by combining red and orange.
A color at its strongest value is known as a hue. When white is added to a hue, it becomes a tint. When black is added to a hue, it becomes a shade.

The Art Element of Space

Space refers to how the artist fills the surface on which a work of art is created. It can also refer to the expression of depth within a work of art. When talking about a three-dimensional object, space is the actual volume that is taken up by the artwork.
Space can be either positive or negative. Positive space is that which is being taken up by the subjects in a work of art. In a three-dimensional artwork, any physical object takes up positive space.
Negative space is usually composed of white space within a two-dimensional object. In three-dimensional works, negative space can be empty space that is trapped within positive space of a sculpture. For example a circular sculpture with a hole in center would have negative space in that center area.

Monday, October 25, 2010

What is Emotion

Emotions are our feelings. Literally. We feel them in our bodies as tingles, hot spots and muscular tension. There are cognitive aspects, but the physical sensation is what makes them really different.
Articles on emotion include:
A basic of much emotional arousal is that there is a goal at stake somewhere. Our emotions thus cause us to want and not want. And when we have what we wanted, we then have emotions about owning it.
Some emotions are discussed in more detail here:
Emotions often lead to coping activities. When we feel something, we consequently respond to that feeling. This can be both in the immediate (and often subconscious) response to the feeling and also in the more thoughtful handling of the aftermath. Where this has been a negative feeling, the response may range from vigorous justification of our actions to conciliatory apologies and other 'making up'. A common response to therepression of unwanted emotions is displacement, where we act out our frustration in other ways. Thus a reprimanded child, knowing they cannot answer back, may go and 'punish' their toys.
Emotions affect and are a part of our mood, which is usually a more sustained emotional state. Mood affects our judgment and changes how we process decisions.




Friday, October 22, 2010

Animation Emotion

Example for Animation Emotion



          













Reference : http://animated-emotion.co.cc/




From this research, i had learn and know more about emotion.Through out this research, i get know more types of emotion for example anticipatioon and acceptance. All the while we may have our own emotion but may be we do not know what is the type of emotion. After this research, I have a better understanding about emotion either from the defination or the reason why the particular emoticon occurs. This is a good start for us to handle our emotion.


Delving Deep into Human Emotion


Delving Deep into Human Emotion


As we move farther away from rational /emotional dualism–a tough habit to break–psychobiological research is increasingly focusing on the development and role of emotion in the brain.  
The first of three videos below features neuroscientist Antonio Damasio contending that even though we view emotion as a human trait, it is probably one of the earliest evolutionary advancements, significantly predating human evolution. He explains that emotions are “a way to live for as long as possible”, asking “if you were a gene, what would you do?”
In the  second video social psychologist Dacher Keltner discussess the evolution of emotion with a focus on Darwin’s principle of antithesis, which attempts to illuminate the role of body langauge in the matrix of human emotion.
Both of those videos are short (less than 10 minutes total), but the last one is a full-scale lecture from neuroscientist Jaak Panksepp, called: ”Ancestral Memories: Brain Affective Systems, Ancient Emotional Vocalizations, and the Sources of Our Communicative Urges.” Panksepp’s book, Affective Neuroscience: The Foundation of Human and Animal Emotions, is the definitive textbook for the field of affective neuroscience. Settle in with a beer or two for this one.